Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art
Identifieur interne : 005C35 ( Main/Exploration ); précédent : 005C34; suivant : 005C36Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art
Auteurs : Vardan Azatyan [Arménie]Source :
- Human Affairs [ 1210-3055 ] ; 2009-09-01.
Descripteurs français
- Wicri :
- topic : Beaux-arts.
English descriptors
- KwdEn :
- Alois riegl, Alpatov, Alpatov claims, Central europe, Choice situation, Cold War, Critique, Different sides, Fine arts, Gombrich, Historical method, History survey texts, Iron curtain, Iskusstvo, Methodological antipodes, Methodological individualism, National distinctiveness, Riegl, Schapiro, Sedlmayr, Sovetski khudozhnik, Soviet union, Stalinist, Stalinist survey, Tretia sessia, Universal history, Vienna School, Vienna school, Voprosi teorii, Vseobshchaia istoria iskusstv, Vseobshchei istorii iskusstv, general art history.
- Teeft :
- Alois riegl, Alpatov, Alpatov claims, Central europe, Choice situation, Critique, Different sides, Fine arts, Gombrich, Historical method, History survey texts, Iron curtain, Iskusstvo, Methodological antipodes, Methodological individualism, National distinctiveness, Riegl, Schapiro, Sedlmayr, Sovetski khudozhnik, Soviet union, Stalinist, Stalinist survey, Tretia sessia, Universal history, Vienna school, Voprosi teorii, Vseobshchaia istoria iskusstv, Vseobshchei istorii iskusstv.
Abstract
This article deals with the "afterlife" of a methodological disagreement in the Vienna School of Art History between the positions of Alois Riegl and Julius von Schlosser in Mikhail Alpatov's and Ernst Gombrich's art history survey texts published during the Cold War on different sides of the Iron Curtain. Though these surveys are methodological antipodes, the difference itself, I argue, is possible only within the framework of the larger art historical discourse they share. In addition, I will draw on the radical ideological critique of Alpatov's survey inside the Soviet Union and the case of the Stalinist survey meant to replace it, in order to address the ideological commonality between Alpatov's and Gombrich's surveys.
Url:
DOI: 10.2478/v10023-009-0042-8
Affiliations:
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Though these surveys are methodological antipodes, the difference itself, I argue, is possible only within the framework of the larger art historical discourse they share. In addition, I will draw on the radical ideological critique of Alpatov's survey inside the Soviet Union and the case of the Stalinist survey meant to replace it, in order to address the ideological commonality between Alpatov's and Gombrich's surveys.</div></front></TEI><affiliations><list><country><li>Arménie</li></country></list><tree><country name="Arménie"><noRegion><name sortKey="Azatyan, Vardan" sort="Azatyan, Vardan" uniqKey="Azatyan V" first="Vardan" last="Azatyan">Vardan Azatyan</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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